Category: Layers of Meta
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I wonder why I wonder
We managed to squeeze in a second mixing session last month (January 13, 2025). I wasn’t able to get to Oakland for this session, so I “phoned it in” (well, zoomed it in, I guess) and that seemed to work out just fine. (Produced by David Gans and Jeremy Goody. Recorded, engineered, and mixed by…
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Connecting dots
We got a lot of work done on the record in July. After the steel sessions covered in the previous post, we came back a week later to get Joe Kyle Jr.‘s upright bass onto three tracks and for me to add ukulele fills to another. As I noted in one social media post, “Picking…
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Picking up steam
A little while back we all agreed things felt like they were starting to drag a bit, and since then we’ve been making rapid progress toward completing the recording of all the parts for all the songs on this record. This month has been another ambitious one. Just a week or so ago we went…
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Down to the studio
This record recording process started a year ago in February and for twelve months through January of this year we recorded one song a month, getting the basic tracks down. Since then we’ve been working on the arrangements and recording overdubs. I feel like we’re building momentum here toward the finish. In the meantime, I’ve…
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Can the drummer get some?
New job and all, excuses excuses, still playing catch-up, so anyhow back in April I was back at Megasonic with product David Gans and engineer/co-producer Jeremy Goody with magnificent drummer John Hanes (who already added impeccable parts to “Saint Lucifer” and “Dirty Ol’ Sunshine”) in the house again, this this time to add a little…
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Let’s pour one out
What a long, strange year it’s been, recording one song a month for twelve months running for my record, Layers of Meta. We started with a song I had just started writing, “The Long Haired Kings,” last February. That day in the studio was just my producer and friend, David Gans; our engineer and co-producer,…
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Swim-two-birds logo ideas
As part of my songwriting trip I established a music publishing company for publishing my songs and managing that side of their rights (I also signed up with BMI for the songwriter side of the equation, and included my alias, Crispy Bacon). The company is called At Swim-Two-Birds Music in full but generally I just…
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You’ll know when
This whole album project evolved somewhat naturally from my ongoing songwriting efforts. As far as I can tell, writing songs is the best writing medium for me. I’ve written short stories, novels, poetry, and plays, and in each case I feel that I was able to carve out something worthwhile from time to time, but…
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Dirty ol’ tune
In that same spirit of catching my breath toward the end of the year I find I never did share any of the rough mixes of the third song we recorded this year, which must have been back in April. This one benefited a lot from having John Hanes on drums, and I feel he…
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Nobody called it that
At least in my day, nobody called our neighborhood on the upper east side “Carnegie Hill,” although that’s what they call it today and maybe some folks, like realtors, even called it that back then. A bunch of things converged in 2020. I was getting a bit more intentional about songwriting. I read the wonderful…
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Never been to Narnia
One sign of how busy I’ve been lately is it’s taken me weeks to share the latest rough mix from my “Pleasant Valley sessions,” something called “Finn’s Song” informally and “Stand Up, Mixer!” inexplicably:
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Seeing the hindsights
Got back to Megasonic Sound for my monthly recording session last weekend and laid down the basic tracks for a fifth song for my album, “Memory Lane,” with Bill Cassel on bass; myself on vocals, electric ukulele, and acoustic ukulele; David Gans producing and Jeremy Goody engineering.
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…and into the studio we go
Got a rough demo in the can already!