christian crumlish doing stuff

  • Why I use a chamois

    Why I use a chamois

    So a lot have been going on. Usually I rush over here breathless with excitement about my latest recording session but now I’m in catch-up mode again. Back in October I took off a long weekend for my birthday, and on that Friday went to Megasonic to record “Sham Song” (also known as “Chanson”). After…

  • Super friends

    Super friends

    Between recording sessions and working for the state, I’ve been planning a redux of the one-day remote Design in Product conference and just posted a video over on Linky-Din promoting it.

  • Embiggening the fun

    Embiggening the fun

    Recording in the studio has been just an amazing experience so far, but this most recent session took it all up to the next level for me, personally! This time, we recorded live in the studio, as a quarter: Javier Navarette on percussion, Robert Wade on bass, David Gans on guitar, and myself on uke…

  • A fresh look at Moses

    A fresh look at Moses

    This song started off with one couplet and developed into something of its own. Having gotten the basic tracks down In the studio now, it has taken further shape, as hinted at in this rough mix (produced by David Gans and engineered by Jeremy Goody at Megasonic Sound, with David on guitar and Dan Brodnitz…

  • A.I. Green sings

    A.I. Green sings

    Fatal error, my core can’t detect / Discarding sectors of uncertain prospect

  • Never been to Narnia

    Never been to Narnia

    One sign of how busy I’ve been lately is it’s taken me weeks to share the latest rough mix from my “Pleasant Valley sessions,” something called “Finn’s Song” informally and “Stand Up, Mixer!” inexplicably: